Daily Variety told readers on January 16, 1942 about a cartoon. “Fred Avery will supervise production of ‘Blitz Wolf,’ cartoon subject at Metro.”
Read more about the short here.
Daily Variety told readers on January 16, 1942 about a cartoon. “Fred Avery will supervise production of ‘Blitz Wolf,’ cartoon subject at Metro.”
Gene Deitch wasn’t very happy with me.
Some Christmas specials are television evergreens—A Charlie Brown Christmas, Alastair Sim’s version of A Christmas Carol, that one about the kid getting his eye shot out. Doubtless you can name others you annually look forward to once a year.
Eddie Anderson’s character on the Jack Benny show worked so well because he was supposedly put upon, but he always got the better of his employer.
Walt Disney and his musical director Carl Stalling seem to have mastered sound on film pretty quickly.
Who would have thought a dog and cat that barely moved on screen would be the start of a TV empire?
You only needed one hand to count the number of television stars there were 80 years ago.
Newspaper cartoonist Feg Murray had a daily syndicated feature where he drew and profiled a celebrity.
Rochester, the butler, was connected with Jack Benny for so many years. I wondered if Rochester, the city, had a connection with Jack as well.
Movie critics got sick of fairy tales and lippy animals beating up someone. And they got tired of seeing the same characters they watched a decade earlier. So when UPA came along with its different (and human) designs and cinematic effects, they embraced the studio.
Eddie Cantor was hugely popular for several decades, but always struck me as someone who didn’t necessarily want to entertain you.
When Bill Morrow and Ed Beloin left the Jack Benny show during the war, they were replaced with five different writers (which dropped to four within weeks when Cy Howard left).