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A symbiotic relationship bloomed between columnists and stars. Columnists needed to fill space. Stars needed publicity.
Fans look back at the Golden Era of network radio with affection but columnists in the day did not. Radio was crass and witless, they told readers time and time again.
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UPA never lost sight of its roots. Its industrial films continued to win praise and its TV commercials were influential in the way they looked and sold products.
“Only the certifiably embalmed will fail to laugh out loud several times along its outrageous way,” is how the New York Times ended its review of a summer replacement show in 1977.
Ol’ Buck Benny needed to do more than blaze a six-shooter if’n he were to rout those mangy varmints on the other networks.
The middle 1940s were pretty much a golden time for the MGM cartoon studio.
Before Felix the Cat, Farmer Al and Koko the Clown came Colonel Heeza Liar, the product of the J.R. Bray studio.
You didn’t have to be the Amazing Kreskin to predict one thing with certainty in the 1970s—the Amazing Kreskin would show up somewhere on TV.